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Después de nuestro Stick Seminar, hicimos
fotos de los equipos que son usados por los stickistas.
Aqui hay algunos de ellos...
After our Stick Seminar, we made some photos of
equipments that are used for stickplayers. Here
some of this... |
Digitech
BP8 Bass Processor
The BP8 is DigiTech's a preamp/processor
dedicated exclusively for the bassist. Don't let
its compact size fool you, the BP8 delivers professional
quality sounds unlike any of the other floor bass
processors. A full function compressor, tube and
solid state preamp, 4 band EQ and selectable notch
filter provide all the control you need for virtually
any bass sound imaginable. Add to this the myriad
of studio quality effects DigiTech is famous for
and you have all you need in a rugged road-worthy
design. Give the BP8 a listen an find out the
easiest way to expand your current bass rig. Features
12AX7 Tubes and Solid State Preamps Full Function
Compressor 4 Band EQ Notch Filter Stereo Outs
or Mono Bi-Amp with Built-in Crossover Jam-A-Long™
Jack (CD or Tape Stereo Input) Headphone Output
Built-in Expression Pedal Chromatic Tuner 5-DISC
II Processing Effects include: Band-passed modulation
effects (Chorus, Flanger, Phaser, and Detune)
AutoWah, Wah, Tremolo, Octabass, Fretless Simulator,
Pitch Shift, Whammy, Delay, Reverb
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GT6B Boss bass effects
pedal
The GT-6B Bass Effects Processor is BOSS' first
new bass multi-effects processor in over five
years. This fully professional floor-based unit
offers new COSM® Bass Amp Modeling with new
modeled compression, plus other "must-have"
effects like COSM overdrive/distortion, COSM wah
and reverb/delay. There's also a true analog bypass,
plus XLR and digital outputs for recording applications-making
the GT-6B the leader in high-quality multi-effects
for bass.
Professional bass multi-effects processor with
COSM technology
True analog bypass and 24-bit converters for uncompromised
sound quality
COSM Bass Amp Modeling recreates the tone of many
of the greatest bass amps and speaker cabinets
in history
New COSM Compression effect modeled after 4 well-known
compressors
Ultra-intuitive interface with analog-style knobs;
built-in expression and control pedals
Versatile effects including "Auto Slap"
and sound-on-sound looping
BOSS' best synth bass sounds with incredible tracking
Balanced XLR output and coaxial digital output
for recording GT-6b Boss bass effects pedal
Price aprox. $395.00
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GT-6
Guitar effects processor
From its striking gold chassis to its lavish array
of knobs and pedals, BOSS has outdone itself again
with the new GT-6 Guitar Effects Processor. And
that's just what's on the outside, because under
the hood is the most advanced COSM modeling engine
ever created-complete with 30 amp models, plus
all-new COSM Distortion/Overdrive Pedal Modeling
and Wah Modeling. Add to this all-new effects
like "Uni-V" and "De-Fretter,"
plus superb 24-bit sound quality, and you've got
the most powerful floor-based multiple effects
processor in history.Features:
# Flagship floor-based guitar effects processor
with advanced COSM preamp
# 24-bit converters and coaxial digital output
for recording applications
# 30 COSM amp models, plus new Distortion/Overdrive
Pedal Modeling (15 types) and Wah Modeling (5
types)
# 340 effects programs-more than any other pedal
in its class!
# Customize function for creating new amp types,
distortion and wah pedals
# Easy, analog-style control; 15 knobs for editing
commonly used parameters
# New "Uni-V" and "De-Fretter"
effects, plus improved Feedback Modeling
# EZ Tone feature for creating custom patches
based on 30 templates
# Built-in Expression and Control pedals for realtime
control of effects
Price aprox. $394.99
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Boss
GT-6B Bass guitar multi effects pedal
The Boss GT-6B Bass Effects Processor gt-6b is
BOSS' first new bass multi-effects processor in
over five years. This fully professional floor-based
unit offers new COSM® Bass Amp Modeling with
new modeled compression, plus other "must-have"
effects like COSM overdrive/distortion, COSM wah
and reverb/delay. There's also a true analog bypass,
plus XLR and digital outputs for recording applications-making
the GT-6B the leader in high-quality multi-effects
for bass.
Professional bass multi-effects processor with
COSM technology
True analog bypass and 24-bit converters for uncompromised
sound quality
COSM Bass Amp Modeling recreates the tone of many
of the greatest bass amps and speaker cabinets
in history
New COSM Compression effect modeled after 4 well-known
compressors
Ultra-intuitive interface with analog-style knobs;
built-in expression and control pedals
Versatile effects including "Auto Slap"
and sound-on-sound looping
BOSS' best synth bass sounds with incredible tracking
Balanced XLR output and coaxial digital output
for recording GT-6b Boss bass effects pedal Price
aprox. $495
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Repeater
Loop Recorder
Repeater is the next step in the evolution
of loop-based music production. To the studio
musician, it gives a power to arrange audio that
was normally reserved for MIDI. Live musicians
can safely sample and integrate loops into their
performance with almost no learning curve. Repeater's
algorithms are tailored to making the looping
process simple and intuitive.Features...
-Loop Point Assist™ algorithm takes the
tedious pre-production work away from creating
the perfect loop. Loop
-Audio Beat Detection automatically syncs recording
and playback to any rhythmic audio source, such
as a sample CD, vinyl, or a kick drum.
-Intuitive interface means a short learning curve
so you are having fun and being creative faster.
-Repeater has an 8-minute (40 MB) loop limit.
That's larger than any other hardware, looping
device.
-Repeater can have up to 999 loops with 4 tracks
per loop.
-Control the level, pan, pitch and position of
individual tracks.
-Independently "Slip" each track position
much like you would in a software multi track
application like a ProTools or Cubase.
-The overdub feature lets you build multi-layered
loops on each of the 4 tracks.
-Resample lets you bounce 4 tracks to 1 or 2 and
re-record effects into the loop.
-Overdub regeneration lets Repeater act like a
very long delay line.
-The undo function lets you experiment, overdub,
edit and record without the fear of destroying
your work.
-Reverse play and record adds new creative possibilities
to your work.
-"Double loop" multiplies the recorded
loop allowing you to create a bed for overdubbing
a longer phrase.
-The front panel trim controls allow you to easily
edit the start and end points of your loop. on
the fly!
-High quality pitch shifting and time stretching
algorithms gives you creative control over a loops
tempo and pitch. Completely change the loop's
vibe with a few control tweaks.
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Adrenalina
Amp SimulatorAmp Modeling
AdrenaLinn includes a superb amp modeler, providing
an assortment of amps from clean twangs to boutique
amps to super-overdriven stacks. Combine these
killer amp sims with beat-synched filter effects,
jam along with the internal drum box, or simply
rock with the amp models alone. •Beat-Synched
Modulation Effects
AdrenaLinn delivers a new class of guitar processing
we call Groove Filter Effects—a whole new
palette of sounds that alter your tone rhythmically
in sync to its internal drum machine or to MIDI:
•Modulation—Your favorite modulation
effects are now perfectly in-synch to AdrenaLinn's
drum box or incoming MIDI clock.
• Filter Sequences - Dynamic looping patterns
of filtered tones. You'll be amazed at how this
transforms even simple chords into an exciting
foundation for a new song idea. Select one of
the preset sequences or program your own to fit
your song.
• Classic and New Filter Effects
AdrenaLinn provides a variety of classic filter
effects, including Auto-Wah, Envelope Filter and
Voice Box. And with AdrenaLinn flexible effect-design
system, permit any of 6 filter types to be controled
by any of 10 modulation sources, you'll get entirely
new sounds.
• Internal Drum Box
What good are all those beat-synched effects without
the beats? AdrenaLinn boasts a two-bar looping
drum machine. Choose from 100 preset drumbeats,
ranging from rock to dance, hip-hip to world beat,
or create your own rhythms using AdrenaLinn's
40+ internal sounds.
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Furman Comprehensive
protection and rack lighting.
Provides eight switched outlets on the rear panel
for plugging in rack components. Protects rack
gear up to a fifteen-amp load with high-voltage
varistor surge and transient suppressors. An RFI/EMI
interference filter works to prevent noise from
fluorescent lights, certain dimmers, radio transmitters,
and similar sources of electronic pollution. For
safety, a circuit breaker is provided on the rear
panel that trips if the total load from all outlets
exceeds fifteen amps or 1800 watts. Model RP-8L
also has two lights on the front panel which pull
out and rotate to provide discrete lighting for
the rack. Single rack space.
Features:
* Eight switched outlets on rear panels
* Circuit breaker protects rack gear up to a fifteen-amp
load or 1800-watt limit
* High-voltage varistor surge and transient suppressors
* An RFI/EMI interference filter works to prevent
line noise
* Two pullout, rotating light tubes provide lighting
for lower rack components
* Dimmer knobs let you set just the amount of
light needed
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Hartke System Amp
Dedicated to versatility and extensive sound-shaping,
the HA3000 produces 300 watts into 4 ohms and
180 watts into 8 ohms A special Shape circuit
with a variable intensity control lets bassists
voice their instruments in any number of ways,
and create a broad spectrum of new tone colors.
A 4-band fixed EQ provides more tonal options.
The amp also features a DI output that converts
a buffered version of the guitar input signal
to a balanced, low impedance format for driving
any cable length, PA or slave bass system. Pre
and Post-EQ effects loops are also included.
Power: 300 Watts at 4 Ohms
4-band EQ
Shape Circuitry
XLR DI Out
Pre & Post Effects Loops
Line & Balanced Preamp Outs
Dimensions: 2U Space, 13.5" Deep
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Jam
ManAlesis Quadraverb II effect processor
Features:
This unit has a powerful processing chip that
allows up to 8 effects at one time. The 4 main
effects catagories include EQ, Pitch, Reverb,
and Delay, and within each of these are speciallized
effects like chamber reverbs, 3 plate reverbs,
stereo and mono delays, ping-pong delays, flangers,
tremolos, leslie effects, pitch shifting, resonators,
high/low pass filters, parametric EQs, graphic
EQs, and a stereo simulator (there are many more
effects that I have not listed!). Digital optical
input/output for hookup to ADAT system. Balanced
1/4" inputs/outputs. Fully informational
display, input and output level knobs, input level
meter. 100 factory preset patches, 200 factory-programed
user patches. Toggle wheel, bypass button, compare
function, ability to adjust routing from one effects
block to another (meaning stereo, mono, or bypassing).
Ability to adjust the input gain to each block.
Comprehensive list of parameter functions for
each effect, and MIDI compatable. 16 bit A/D converter,
and 18 bit D/A converter. Sample rate of 48K.
Frequency response is 20Hz-20KHz 1db.
Cost aprox. $550 US
More
info>>Tascam keyboard
mixing console.
20 channel (12 mono +
4 stereo) 19" rackmountable mixer.
Although it is described as a keyboard mixer,
it can be used with microphone sources.
Each channel comprises gain, 2 band EQ, 2 aux
(4 aux busses), direct line output, mute, solo,
pan, 45mm fader. Master section with Left, Right,
4 aux masters, 4 stereo fx/line returns, LED meters
(L, R, MIDI), headphone, MIDI scene controls (scene
memory/MIDI send & receive)
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Rat
Distorsion
Full control of the sound is provided by distortion
amount, filter, and volume controls. Tune in just
the right amount of overdrive, get the presence
you need without the tinny treble, and balance
the volume for the perfect extra "kick"
for lead breaks. Distortion, sustain, fuzz, or
overdrive: the sound remains unmistakably yours--not
fake or gimmicky.
Also, the Rat won't change the tone or power of
you guitar when it's turned off; our true bypass
switch disconnects it completely from the instrument
when it is not in use, eliminating the loading
effects common among other devices.
Effects boxes are notorious for unreliable operation,
but the Rat was engineered to survive the abuse
and neglect of life on the road. The rugged steel
chassis houses a mil-spec epoxy-glass PC board
for extreme shock resistance, vital in a foot-operated
unit. The heavy-duty industrial-grade footswitch
was chosen for its reliable positive action and
long, dependable life.
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info>>
Whammy Pedal
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Roland
GR-33 Sintetizador de Guitarra
* El interruptor Output Select (selección
de salida) permite utilizar la unidad con amplificadores
de guitarra convencionales o con etapas de potencia
* El arpegiador contenido en la unidad permite
la rápida creación de diversos arpegios
* Pedal de expresión asignable incorporado
* La prestación Synth Harmonist añade
armonía "inteligente" a las notas
individuales
* Proporciona a los guitarristas acceso al mundo
de la música MIDI, secuenciado basado en
ordenadores, etc.
* Sintetizador de guitarra independiente de diseño
futurista con más de 350 deslumbrantes
sonidos instrumentales (tones) que incluyen sintetizadores
analógicos, gruesos bajos, guitarras clásicas,
órganos, sonidos orquestales, diversos
instrumentos étnicos, jazz scat y muchos
más
* Una fuente de sonido obtenida del módulo
de sintetizador JV-1080 de Roland - un estándar
mundial
* Memoria de ondas masiva - el doble de la del
modelo GR-30 anterior
* Disparo ultra rápida con cualquier guitarra
de cuerdas metálicas vía la Pastilla
Dividida GK-2A (suministrada por separado) que
el mismo usuario puede instalar fácilmente
* Procesamiento de Chorus y Reverb especifico
además de 25 Multi-FX incluyendo rotary,
saturación, etc.
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DOD
BASS30 Digital Multi-Effects Bass System
Amp Modeling Digital Multi-Effects Bass
System
Cultivating a thick, robust bass sound used to
require a lifetime of working your fingers to
the bone, but thanks to the DOD Bass30, a bumper
crop of the phattest bass tones you've ever heard
can grow right in front of your ears. With 5 great
Bass Amp Models, multiple Fretless Simulators,
and Synth Bass Simulators, a 4-Band programmable
EQ, and built in Bi-Amp capabilities, you can
dig deep and lay the foundation for rich bass
tone. Add 14 other programmable Digital Effects,
an assignable Expression Pedal, and Phrase Sampler,
all encased in a rugged easy-to-carry chassis,
and you have got what it takes to plow through
the korn field, smash through the pumpkin patch,
or phish for any bass tone imaginable, without
having to sell the pharm. Sow the seeds of your
imagination, and reap the harvest of your creations,
with the DOD Bass30 at a dealer near you.
Bass30 Effects
• Frequency Selective-Fully Programmable
Compression • 5 Amp Models • 5 Fretless
Bass & 12 Bass SynthModels • 4 band
EQ • Noise Gate • Chorus • Flange
• Vibrato • Phaser • Pitch Shift
• Pitch Bend • Bass Enhancer •
Detune • Enveloped Flange • Enveloped
Phase • Wah • AutoWah • Delay
• Phrase Sampler • Reverb •
Bi-amp Crossover
Features
• Authentic Amp/Guitar Modeling •
Built-in Expression Pedal • 30 User/30 Factory
Presets • Up to 9 Effects at Once •
Stereo Outputs • Chromatic Tuner •
Phrase Sampler • Jam-A-Long™ •
Headphone Output • Bi-Amp Capabilities Price
aprox: $229.95
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Stick
Preamp - Rane SP 13
The SP 13 is a version of the AP 13, optimized
for Stick musicians. It is available exclusively
from Stick Enterprises.
Dedicated to the needs of the Stick musician,
the SP 13 Stick Preamplifier is a full-featured
package specifically suited for instruments with
two pickups. The SP 13 provides two signal processing
paths: both optimized for passive Stick pickups.
These paths feature very high input impedance
for extended low bass response. Additionally,
either channel accepts dynamic pickups or line-level
outputs from outboard preamps. A convenient front
panel slide switch allows choice of which pickup
is wired to the tip or the ring of the stereo
1/4" input jack. Handy pickup Gain trim controls
feature large openings for quick changes using
guitar picks, fingernails or coins. And separate
pickup Overload indicators make gain set-up easy.
Each pickup signal path contains an Invert switch,
an adjustable Low Cut filter, a 7-band graphic
equalizer, a Pan control and a separate Level
amplifier, all logically arranged along the front
panel using smooth-acting oil-damped sliders for
the ultimate in convenience and graphical feedback.
The Invert switch allows the user to invert the
phase of each pickup relative to the other. The
sliding Low Cut filter helps eliminate troublesome
thumping, rumbling, rubbing and other unwanted
infrasonic frequencies. The graphic equalizers
give you separate timbre control over each individual
pickup. The Pan and Level controls mix both pickups
into one smooth stereo signal ready to drive the
Send/Return effects loop, or the in-line Inserts.
Two pair of high-current cross-coupled balanced
stereo line drivers, with Mono switch on the rear
panel, complete the processing chain. Choose between
the stereo 1/4" line-level outs for amplifier
feed or the stereo XLR mic-level outs for direct
console patching, or use them both.
A powerful Headphone amplifier and Master Mute
switch allow private auditioning and practice.
The separate Tuner Output routes both Inputs to
a mono output for easy tuning of both pickups
with a single tuning device. When an auxiliary
output is necessary, the separate unbalanced Aux
Output with Level control perfectly satisfies
the need. An additional Expander Input allows
a second stereo processed signal to be returned
to the Main Outputs. This means that each pickup
can be processed independently and mixed together
for stereo applications.
The SP 13 Acoustic Preamplifer is all you ever
dreamed of for perfect control and integration
of your Chapman Stick (years of practice not included).
Price $480 /available at Stick Enterprises.
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The Stick Center
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